This privacy notice describes how The New School collects and processes personal data about you at The New School how we use, store, transfer, and protect this personal data and your rights in relation to this personal data. Additional information is available at and you can stay updated about all things CLO on Instagram, Facebook and LinkedIn. CLO can be used to express a variety of design details for every type of garment from simple t-shirts to complex outerwear. The risk may seem high initially, but with 3D, the reward is even higher.ĬLO creates cutting-edge 3D garment visualization technologies that cultivate a more creative and sustainable landscape for apparel industries. With the world demanding nearly every industry to move in a digital direction, it is important for fashion companies that have been hesitant to do the same to start to think about considering plans for implementation-even if it’s at the smallest level. Not only do 3D solutions allow for an accurate output visually and in terms of fit, they also provide the ability to effortlessly make and communicate design changes, eliminating the need for multiple iterations of the same garment. More than likely the biggest fear of them all, designers are often doubtful that the physical sample will accurately reflect the digital one. In CLO 6.0, we have a feature called automated sewing because we are thinking of things that people might not want to do and are setting up APIs to lessen their workloads,” says Teng.ģD is not an additional step it is put in place to simplify a company’s current steps. “For CLO, the automation process is focused on things that people may not want to do and how much faster a company can onboard each department when adopting 3D.
![clo3d add grading clo3d add grading](https://i.ytimg.com/vi/Fmy1ZPtRj-k/maxresdefault.jpg)
3D is not meant to replace people, it is meant to empower them to automate things that they don’t want to expend energy doing. Not only does 3D open the possibility for those in the industry to adapt into new roles, it also allows them more time to be creative in their current roles. It’s creating new roles within the industry for visual effect technicians and directors.”
#Clo3d add grading software
“It’s asking the designers and product developers, or a graduate, to not only learn a new software interface, but to also be pattern cutters, sewers, fabric technicians, digitizers, e-commerce photographers and retouch artists. It’s not just another underrated operation along the way like good grading or fit often is,” says Matthew Mounsey-Wood, former design director at men’s lifestyle apparel brand Gant. “Adopting 3D is not an investment in tech, it’s an investment in people. This couldn’t be any further from the truth. Fashion professionals must practice and try to use it daily, or as much as possible, in order to become fluent.ĭesigners, patternmakers and those that work in various stages of the product development process are also often worried that they may lose their jobs because of 3D design technologies, or that there may one day no longer be a need for them. CLO compares it to learning a to speak a non-native tongue: 3D, it says, is simply a new language in apparel design. Just like with any other software programs, users must ensure they are practicing and interacting with it daily. Additionally, when adopting 3D, it is important to know that practice makes perfect. With that in mind, most 3D solutions have robust training modules that are guaranteed to set a company up for success. While it can be challenging and take some time to learn, this is typically far outweighed by the positive implementations outcomes in the long run.
![clo3d add grading clo3d add grading](https://i.ytimg.com/vi/wQOiTeuizio/hqdefault.jpg)
The designers, tech designers, patternmaker or even product developers feel that taking on this task would be too difficult or require too much downtime.
![clo3d add grading clo3d add grading](https://i.ytimg.com/vi/CoFhg4umEHo/maxresdefault.jpg)
One of the biggest fears associated with going digital is how far a department’s schedule will be set back in learning a completely new process. Since implementing CLO, Miroglio Fashion has seen a 90 percent reduction of its garment reworking processes. But the firm let the potential positives outweigh the concerns, especially given the newfound possibility of reducing waste during the design process by creating fewer physical prototypes. Miroglio Fashion creates, produces and distributes 11 different fashion brands globally, so with a considerable number of SKUs, the company faced a lot of change that would result from shifting to 3D design. Take one example, Italian women’s wear firm Miroglio Fashion.